apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Madame Jeanne Desbassayns de Richemont And Her Son, Eugène
Madame Jeanne Desbassayns de Richemont And Her Son, Eugène by Marie-Guillemine Benoist

plate no. 9799

Madame Jeanne Desbassayns de Richemont And Her Son, Eugène

Marie-Guillemine Benoist

oilNeoclassicismportraitfigureportraitmotherchilddresschair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in painting drapery and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figures.

  2. step 02

    Block in the background with a thin layer of dark, muted color.

  3. step 03

    Establish the main shapes of the figures, paying attention to the light and shadow patterns.

  4. step 04

    Begin layering the skin tones, using subtle variations to create form and depth.

  5. step 05

    Paint the drapery, focusing on the folds and highlights to convey the texture of the fabric.

  6. step 06

    Add details to the faces, including the eyes, nose, and mouth.

  7. step 07

    Refine the details of the hair and clothing.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · viridian green · ultramarine blue · yellow ochre

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the dress's white by layering thin glazes of white over a slightly darker underpainting. Use ultramarine and white for the chair.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·drapery rendering
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or muddy skin tones
  • →Flat or lifeless drapery
  • →Neglecting subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs