apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lobster, Crab and Cucumber
Lobster, Crab and Cucumber by William Henry Hunt

plate no. 0797

Lobster, Crab and Cucumber

William Henry Hunt, 1827

watercolor, paperNaturalismstill lifelobstercrabcucumbergourdsstill lifeseafood
some experience helpful

Recreating this painting will help students develop skills in rendering textures and creating realistic forms through subtle value changes. It also provides practice in observing and depicting complex shapes and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the lobster, crab, and vegetables.

  2. step 02

    Establish the background and tabletop with thin washes of color.

  3. step 03

    Begin layering colors on the lobster, starting with the darkest areas and gradually adding highlights.

  4. step 04

    Pay close attention to the subtle color variations and textures of the crab.

  5. step 05

    Render the vegetables, focusing on their unique shapes and surface details.

  6. step 06

    Add details like the lobster's legs and antennae, and the crab's claws.

  7. step 07

    Refine the shadows and highlights to create a sense of depth and realism.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · Payne's Gray · Burnt Umber · Cadmium Red · Yellow Ochre

secondary · Sap Green · Ivory Black · Titanium White

Mix Payne's Gray and Burnt Umber for the dark tones of the lobster. Use Cadmium Red and Yellow Ochre for the crab, adding white to create lighter tones. Mix Sap Green and Yellow Ochre for the vegetables.

techniques

  • ·Dry brushing
  • ·Layering
  • ·Glazing
  • ·Value studies
  • ·Color mixing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring the subtle color variations in the subject matter

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper (140lb, cold press)
  • ·Watercolor paints
  • ·Round watercolor brushes (sizes 2, 6, 10)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Watercolor pencils

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt