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home·artworks·Little Flower Sellers
Little Flower Sellers by Augustus Edwin Mulready

plate no. 7749

Little Flower Sellers

Augustus Edwin Mulready, 1887

oil, canvasNaturalismgenre paintingfigureschildrenflowersstreet scenebuildingsposters
some experience helpful

Recreating this painting will help students develop skills in rendering figures with realistic skin tones and capturing the textures of different materials like fabric, brick, and paper. It also provides practice in creating a sense of depth and atmosphere through subtle color variations and value shifts.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and composition.

  2. step 02

    Establish the background with a thin wash of color, focusing on the overall tonal values.

  3. step 03

    Block in the main colors of the figures, clothing, and flowers, using a limited palette.

  4. step 04

    Begin layering and blending colors to create realistic skin tones and fabric textures.

  5. step 05

    Add details to the faces, hands, and other focal points, using smaller brushes.

  6. step 06

    Develop the background details, such as the posters and buildings, with careful attention to perspective.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches, such as the scattered flower petals and subtle details in the clothing.

color palette

primary · titanium white · burnt umber · ultramarine blue · cadmium red

secondary · yellow ochre · raw sienna · ivory black

Mix various shades of brown and gray for the buildings and street. Achieve skin tones by blending white, red, yellow ochre, and a touch of blue. Use red and white for the roses, adding green for the leaves.

techniques

  • ·underpainting
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or bright.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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