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home·artworks·Little Breton Girl Seated (Portrait of Marie Francisaille)
Little Breton Girl Seated (Portrait of Marie Francisaille) by Paul Serusier

plate no. 7284

Little Breton Girl Seated (Portrait of Marie Francisaille)

Paul Serusier, 1895

oil, canvasCloisonnismportraitfigureportraitgirlclothingseatedapron
some experience helpful

Recreating this painting will help students understand simplified forms and color relationships, as well as how to create a sense of depth and volume with limited values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure and background, focusing on proportions.

  2. step 02

    Block in the main color areas with thin washes of paint.

  3. step 03

    Develop the background with subtle variations in green and brown.

  4. step 04

    Add darker tones to define the figure's clothing and features.

  5. step 05

    Build up the highlights on the face, hands, and apron.

  6. step 06

    Refine the details of the face and clothing, paying attention to the brushstrokes.

  7. step 07

    Add the black horizontal line.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · olive green · burnt umber · yellow ochre

secondary · cadmium red · ivory black

Mix greens by combining yellow ochre and burnt umber. The skin tones are achieved by mixing cadmium red, yellow ochre, and a touch of burnt umber.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·simplified forms

common pitfalls

  • →Overworking the details and losing the simplified style.
  • →Using too many colors and creating a muddy effect.
  • →Not paying attention to the proportions of the figure.
  • →Ignoring the subtle variations in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (olive green, burnt umber, yellow ochre, cadmium red, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·medium gloss
  • ·easel

A slightly textured canvas can enhance the brushwork effect.

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oil painting for beginners →how to learn by studying the masters →
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