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home·artworks·León Bonnat
León Bonnat by Mariano Benlliure

plate no. 1890

León Bonnat

Mariano Benlliure

bronzeNeoclassicismportraitportraitbustfigurebronzeman
some experience helpful

Recreating this portrait will help students understand form and structure through value and texture. It's a good exercise in observing subtle shifts in light and shadow on a complex surface.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the bust.

  2. step 02

    Establish the overall value range with a mid-tone wash.

  3. step 03

    Block in the darkest shadows, paying attention to the planes of the face and clothing.

  4. step 04

    Add highlights to define the form and create a sense of depth.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add texture to the beard and hair using short, broken strokes.

  7. step 07

    Adjust the values and contrasts to create a sense of realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · ivory black · titanium white

secondary · burnt umber · yellow ochre

Mix raw umber and ivory black to create a range of dark grays. Add titanium white to lighten the values. Use burnt umber and yellow ochre sparingly to add warmth to the highlights.

techniques

  • ·value study
  • ·chiaroscuro
  • ·dry brushing
  • ·layering
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value structure.
  • →Overworking the details before establishing the overall form.
  • →Using too much contrast, resulting in a harsh or unnatural look.
  • →Ignoring the subtle shifts in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·odorless mineral spirits
  • ·retouch varnish

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the initial value range.

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