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home·artworks·Landschaft Nach Einem Gewitter
Landschaft Nach Einem Gewitter by Joseph Anton Koch

plate no. 2842

Landschaft Nach Einem Gewitter

Joseph Anton Koch, 1830

oil, canvasNeoclassicismlandscapelandscaperainbowtreesmountainsfiguresanimals
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering complex foliage and figures within a landscape. It also provides practice in creating a sense of depth and space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Establish the sky with broad washes of blue and grey, blending for cloud effects.

  3. step 03

    Block in the distant mountains and coastline with muted blues and greens.

  4. step 04

    Define the foreground landmass with darker earth tones, creating variations in value.

  5. step 05

    Add the trees, starting with the trunks and branches, then building up the foliage with layered brushstrokes.

  6. step 06

    Paint the figures and animals, paying attention to their proportions and placement within the scene.

  7. step 07

    Carefully render the rainbow, blending the colors softly.

  8. step 08

    Add final details and highlights to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium red · viridian

Achieve the atmospheric perspective by mixing blues with white and a touch of umber for distant elements. Create earth tones by blending umber, ochre, and red. Use white to lighten and create highlights.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Using colors that are too saturated, resulting in an unnatural appearance.
  • →Failing to establish a clear value structure, making the painting appear flat.
  • →Inaccurate proportions of figures and animals.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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