apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with Shepherds
Landscape with Shepherds by Nicolas Antoine Taunay

plate no. 0251

Landscape with Shepherds

Nicolas Antoine Taunay

oil, canvasNeoclassicismlandscapelandscapetreesshepherdsanimalsskyhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering foliage and figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main tree, the hill, and the horizon line.

  2. step 02

    Establish the sky with a gradient of light blue and yellow, blending smoothly.

  3. step 03

    Block in the distant hills with muted blues and greens to create atmospheric perspective.

  4. step 04

    Paint the larger trees on the right side, using darker greens and browns, and suggest foliage with broken brushstrokes.

  5. step 05

    Add the main tree on the left, carefully rendering the branches and leaves with varying tones of brown and green.

  6. step 06

    Paint the figures and animals in the foreground, using small brushstrokes and simplified shapes.

  7. step 07

    Add details to the foreground, such as the path, grass, and shadows, using a dry brush technique for texture.

  8. step 08

    Refine the overall painting, adjusting values and colors to create a sense of depth and harmony.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create a strong sense of atmospheric perspective, making the background appear too sharp.
  • →Using colors that are too saturated, which can detract from the overall harmony.
  • →Neglecting the importance of value contrast in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs