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home·artworks·Landscape with Ruins
Landscape with Ruins by Pierre-Henri de Valenciennes

plate no. 1182

Landscape with Ruins

Pierre-Henri de Valenciennes, 1785

oilNeoclassicismlandscaperuinstreeslandscapefoliageskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex forms into basic shapes. It also provides practice in rendering atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the ruins, trees, and landscape, paying attention to the overall composition.

  2. step 02

    Establish the sky with light blue washes, blending the colors to create a soft, cloudy effect.

  3. step 03

    Block in the main areas of color for the ruins, using a mix of browns, oranges, and yellows.

  4. step 04

    Add darker values to the shadows and crevices of the ruins to create depth and dimension.

  5. step 05

    Paint the foliage, using various shades of green and yellow to represent the different types of plants.

  6. step 06

    Layer the colors in the foliage to create texture and depth, using short, broken brushstrokes.

  7. step 07

    Add details to the trees, such as branches and leaves, using a fine brush.

  8. step 08

    Refine the overall composition and add any final details, such as highlights and shadows.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix greens by combining yellow ochre and ultramarine blue. Achieve the warm tones of the ruins by blending burnt umber, yellow ochre, and a touch of alizarin crimson. Use white to lighten values and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using too much paint and creating a muddy effect.
  • →Failing to establish a clear value structure.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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