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home·artworks·Landscape with resting cows
Landscape with resting cows by Jacob van Strij

plate no. 7300

Landscape with resting cows

Jacob van Strij

oilNeoclassicismanimal paintingcowslandscapefigureshillsskyanimals
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering animal forms with subtle color variations. Students will also learn to create a sense of depth using value and color temperature.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the cows, figures, and landscape elements.

  2. step 02

    Establish the sky with a gradient of light blue, blending towards the horizon.

  3. step 03

    Block in the distant hills and trees using muted greens and browns, paying attention to atmospheric perspective.

  4. step 04

    Roughly paint the cows with their base colors (browns, creams, blacks), focusing on their overall shapes and forms.

  5. step 05

    Add details to the figures, including clothing and facial features, using small brushstrokes.

  6. step 06

    Develop the foreground with darker greens and browns, adding texture to the grass and rocks.

  7. step 07

    Refine the details of the cows, adding highlights and shadows to create a sense of volume.

  8. step 08

    Add final touches, such as highlights in the sky and details in the distant landscape.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · raw sienna · cadmium yellow · ivory black · vermilion

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Use burnt umber and ultramarine blue for dark browns and blacks. Add titanium white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·scumbling
  • ·glazing
  • ·rendering animal forms

common pitfalls

  • →Overworking details too early
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated
  • →Incorrect proportions of the animals
  • →Lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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