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home·artworks·Landscape with coast and ruin
Landscape with coast and ruin by Jacob van Strij

plate no. 6923

Landscape with coast and ruin

Jacob van Strij

oilNeoclassicismlandscaperuinsfiguresboatsskylandscapeclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with multiple elements. It also provides practice in depicting figures and architectural details within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: ruins, figures, boats, and horizon line.

  2. step 02

    Establish the sky with broad washes of blue and white, focusing on soft cloud formations.

  3. step 03

    Block in the distant landscape with muted greens and blues, paying attention to atmospheric perspective.

  4. step 04

    Paint the ruins, starting with the darkest shadows and gradually building up to the highlights, using a mix of browns, grays, and ochres.

  5. step 05

    Add the figures, focusing on their basic shapes and colors before adding finer details.

  6. step 06

    Paint the boats, using similar techniques as the ruins, paying attention to reflections in the water.

  7. step 07

    Add details such as foliage, ropes, and small figures to enhance the realism.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and harmony.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · cadmium red · sap green · raw sienna

Achieve the muted tones by mixing complementary colors. Use white to lighten and soften colors for the sky and distant landscape. Browns and grays are created by mixing umber, ochre, and blue.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·broken color
  • ·rendering form with light and shadow

common pitfalls

  • →overworking details too early
  • →not establishing a clear value structure
  • →using colors that are too saturated
  • →ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·color chart

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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