apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape near the sea
Landscape near the sea by Giovanni (Nino) Costa

plate no. 9484

Landscape near the sea

Giovanni (Nino) Costa, 1885

oil, canvasNaturalismlandscapelandscapetreesskycloudsseafigure
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements like trees and the figure.

  2. step 02

    Block in the sky with light blues and grays, blending softly to create cloud formations.

  3. step 03

    Establish the dark masses of the trees in the midground using a mix of browns, greens, and blues.

  4. step 04

    Add lighter greens and yellows to the foreground to create the grassy field.

  5. step 05

    Paint the distant sea with muted blues and grays, suggesting the horizon line.

  6. step 06

    Add details to the trees, varying the colors and values to create texture and depth.

  7. step 07

    Paint the small figure and dog in the midground, keeping the details simple.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of light and atmosphere.

color palette

primary · ultramarine blue · raw umber · yellow ochre · titanium white

secondary · burnt sienna · sap green · cadmium yellow

Mix blues and whites for the sky, add raw umber to darken greens and create earth tones, and use yellow ochre to warm up the overall palette.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not muted enough.
  • →Neglecting the importance of value contrast in creating depth.
  • →Making the brushstrokes too uniform and lacking variation.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt