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home·artworks·Landscape in the Roman Campagna
Landscape in the Roman Campagna by Nicolas Antoine Taunay

plate no. 2129

Landscape in the Roman Campagna

Nicolas Antoine Taunay

oil, canvasNeoclassicismlandscapelandscapemountainsbuildingsfigurestreessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of tones. It also provides practice in rendering architectural forms in a loose, painterly style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, buildings, and horizon line.

  2. step 02

    Establish the dark and light values with a thin wash of burnt umber and ultramarine blue.

  3. step 03

    Block in the sky with a mix of blues, grays, and white, blending softly.

  4. step 04

    Paint the distant mountains and hills, using lighter, cooler tones to create atmospheric perspective.

  5. step 05

    Add the architectural elements, focusing on their basic shapes and values.

  6. step 06

    Introduce the figures and animals, keeping them small and indistinct.

  7. step 07

    Refine the details in the foreground, such as the water and vegetation.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · ultramarine blue · titanium white

secondary · yellow ochre · raw sienna · ivory black

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use yellow ochre and raw sienna to create warm highlights and earthy tones.

techniques

  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·scumbling
  • ·dry brushing
  • ·tonal layering

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast in the distant elements
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the initial values.

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oil painting for beginners →how to learn by studying the masters →
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