
plate no. 6335
Zinaida Serebriakova, 1913
This painting is great for practicing layering colors to create depth and learning how to simplify complex landscapes into basic shapes. Students will also improve their understanding of atmospheric perspective.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountains, hills, and foreground rocks.
Block in the sky with a thin wash of light yellow and pink.
Apply a base layer of yellow ochre and green to the hills, varying the mixture for different areas.
Paint the distant mountains with diluted purple and brown tones to create atmospheric perspective.
Add darker greens and browns to the trees and foreground vegetation, using short, broken brushstrokes.
Define the rocks with shades of gray, purple, and brown, paying attention to light and shadow.
Add small details like individual trees and highlights on the rocks.
Refine the overall composition, adjusting colors and values as needed.
color palette
primary · yellow ochre · burnt umber · titanium white
secondary · ultramarine blue · alizarin crimson · sap green
Mix yellow ochre with small amounts of ultramarine blue and burnt umber to create various shades of green and brown. Use alizarin crimson with ultramarine blue to create purples for the mountains and rocks.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints for best results. Experiment with different brushes to achieve various textures.
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