apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lago Di Albano
Lago Di Albano by Sylvester Shchedrin

plate no. 8837

Lago Di Albano

Sylvester Shchedrin, 1825

oilNeoclassicismgenre paintingtreeslakefiguresmountainslandscapefoliage
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also provides practice in rendering realistic foliage and figures in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the main shapes: the horizon line, the mountains, the lake, the trees, and the figures.

  2. step 02

    Establish the basic color blocks for the sky, water, and land, focusing on the overall value structure.

  3. step 03

    Start layering in the darker values of the trees and foliage, creating depth and form.

  4. step 04

    Gradually add highlights to the foliage and ground to create a sense of light and shadow.

  5. step 05

    Paint the figures, paying attention to their proportions and the way light falls on them.

  6. step 06

    Refine the details of the trees, adding branches and leaves with varying degrees of sharpness.

  7. step 07

    Adjust the colors and values throughout the painting to create a sense of atmospheric perspective.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · sap green · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · ivory black

Mix greens by blending blues and yellows with touches of brown for natural tones. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·scumbling
  • ·rendering foliage

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs