
plate no. 5405
Jérôme-Martin Langlois, 1817
This painting provides practice in portraiture, focusing on skin tones and fabric rendering. Students will develop skills in blending and creating subtle value changes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and dress.
Establish the background with a mid-tone gray.
Block in the main areas of color: skin, dress, and hair.
Begin refining the skin tones, paying attention to highlights and shadows.
Develop the folds and details of the red dress, using darker and lighter shades.
Add details to the hair, tiara, and jewelry.
Refine the background and edges to create a sense of depth.
Add final highlights and details to complete the painting.
color palette
primary · cadmium red · titanium white · ivory black
secondary · yellow ochre · raw umber · alizarin crimson
Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the red dress color by mixing cadmium red with alizarin crimson and white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for best results. Consider using a medium to improve blending.
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