apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lady in Red Wearing a Tiara
Lady in Red Wearing a Tiara by Jérôme-Martin Langlois

plate no. 5405

Lady in Red Wearing a Tiara

Jérôme-Martin Langlois, 1817

oilNeoclassicismportraitportraitfiguredresstiarajewelryhair
some experience helpful

This painting provides practice in portraiture, focusing on skin tones and fabric rendering. Students will develop skills in blending and creating subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and dress.

  2. step 02

    Establish the background with a mid-tone gray.

  3. step 03

    Block in the main areas of color: skin, dress, and hair.

  4. step 04

    Begin refining the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the folds and details of the red dress, using darker and lighter shades.

  6. step 06

    Add details to the hair, tiara, and jewelry.

  7. step 07

    Refine the background and edges to create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · cadmium red · titanium white · ivory black

secondary · yellow ochre · raw umber · alizarin crimson

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the red dress color by mixing cadmium red with alizarin crimson and white for highlights.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Ignoring subtle color variations in the skin.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a smooth canvas for best results. Consider using a medium to improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs