apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lady Hamilton as the Persian Sibyl
Lady Hamilton as the Persian Sibyl by Louise Elisabeth Vigee Le Brun

plate no. 8632

Lady Hamilton as the Persian Sibyl

Louise Elisabeth Vigee Le Brun, 1792

oil, canvasNeoclassicismportraitfigureportraitwomandressheadscarfscroll
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering drapery folds. It also provides practice in capturing a specific mood and expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions on the canvas.

  2. step 02

    Block in the background with a thin layer of muted green/gray.

  3. step 03

    Establish the basic shapes and values of the face, dress, and headscarf using thin washes of color.

  4. step 04

    Begin layering and blending the skin tones, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the dress and headscarf, focusing on the highlights and shadows to create form.

  6. step 06

    Refine the facial features, adding details to the eyes, nose, and mouth.

  7. step 07

    Add the scroll and writing, paying attention to the perspective and details.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious painting.

color palette

primary · titanium white · burnt sienna · cadmium red light

secondary · yellow ochre · ultramarine blue · raw umber

Skin tones can be achieved by mixing titanium white, burnt sienna, and a touch of cadmium red light. Muted greens for the background are made with ultramarine blue, yellow ochre, and raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Flat or lifeless rendering of the drapery.
  • →Neglecting the subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs