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home·artworks·Lady Frances Greville (1744–1825), Lady Harpur
Lady Frances Greville (1744–1825), Lady Harpur by Angelica Kauffman

plate no. 8744

Lady Frances Greville (1744–1825), Lady Harpur

Angelica Kauffman, 1767

oilNeoclassicismportraitportraitfiguredresslandscaperibbonhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending, as well as creating depth through atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background landscape with broad strokes, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, including the dress, hair, and hands, using simplified color values.

  4. step 04

    Begin refining the skin tones, using layers of thin paint and subtle color variations to create a realistic effect.

  5. step 05

    Add details to the dress, including the gold trim and the folds of the fabric.

  6. step 06

    Refine the hair, paying attention to the highlights and shadows.

  7. step 07

    Add the final details, such as the ribbon and the jewelry.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · titanium white · raw umber · yellow ochre · viridian

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Mix skin tones by blending white, yellow ochre, and a touch of red. Use raw umber and ultramarine for shadows. Achieve the dress color by mixing viridian with white and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle color variations in the dress.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·alizarin crimson oil paint
  • ·cadmium yellow oil paint

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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oil painting for beginners →how to learn by studying the masters →
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