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home·artworks·La nuit
La nuit by Claude-Joseph Vernet

plate no. 5459

La nuit

Claude-Joseph Vernet

oilNeoclassicismmarinaseamoonfiguresboatsshipnight
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, creating depth through value and color, and rendering figures in low light conditions. It also provides practice in depicting reflections on water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, the ship, and the figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral tone.

  3. step 03

    Block in the sky, starting with the darkest areas and gradually lightening towards the moon.

  4. step 04

    Paint the water, paying attention to the reflections of the moon and the ship.

  5. step 05

    Add the ship, focusing on its shape and the details of its rigging.

  6. step 06

    Paint the figures, using a limited palette of warm and cool grays to create a sense of depth.

  7. step 07

    Add the details of the shoreline, including the rocks, the fire, and the buildings in the distance.

  8. step 08

    Refine the details and add highlights to create a sense of realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red

Achieve the subtle gradations in the sky by mixing ultramarine blue with varying amounts of white and a touch of yellow ochre. Use burnt umber and white to create the dark tones of the rocks and the ship.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color in the shadows.
  • →Making the reflections too bright or too symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, cadmium red)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the brushwork.

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