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home·artworks·Léonard Pierre Joseph Burgrave du Bus de Gisignies (1780-1849)
Léonard Pierre Joseph Burgrave du Bus de Gisignies (1780-1849) by François-Joseph Navez

plate no. 0594

Léonard Pierre Joseph Burgrave du Bus de Gisignies (1780-1849)

François-Joseph Navez, 1836

oil, canvasNeoclassicismportraitportraitfigureclothingdraperytablebuilding
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice in depicting complex textures and details in clothing and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background and drapery, focusing on subtle color variations and soft edges.

  4. step 04

    Refine the skin tones and facial features, paying close attention to light and shadow.

  5. step 05

    Add details to the clothing, including the intricate gold embroidery and the blue sash.

  6. step 06

    Work on the hands, capturing their form and subtle details.

  7. step 07

    Add final highlights and details to enhance the realism of the painting.

  8. step 08

    Glaze and adjust colors as needed to achieve the desired effect.

color palette

primary · ivory black · titanium white · cadmium yellow · alizarin crimson

secondary · ultramarine blue · raw umber · burnt sienna

Mix various shades of skin tones using titanium white, cadmium yellow, alizarin crimson and raw umber. Achieve the dark blues by mixing ivory black and ultramarine blue.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering of textures

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in skin tone.
  • →Creating harsh edges and unrealistic transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·burnt sienna oil paint

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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