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home·artworks·King Hobgoblin Sleeping
King Hobgoblin Sleeping by Hugo Simberg

plate no. 3557

King Hobgoblin Sleeping

Hugo Simberg, 1896

oilSymbolismmythological paintingfigurelandscapemythological creaturesred figuresbughat
some experience helpful

This painting offers practice in rendering figures in a stylized manner and creating a sense of depth through color and scale. Students can also learn to create texture with dry brushing and layering.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the figure, the marching figures, and the landscape elements.

  2. step 02

    Block in the large areas of color: red for the background figures, green for the ground, and white for the figure's clothing.

  3. step 03

    Add details to the figure, including the face, hair, and clothing folds.

  4. step 04

    Paint the marching figures in the background, focusing on their simplified forms and consistent spacing.

  5. step 05

    Add texture to the ground using dry brushing and layering of greens and browns.

  6. step 06

    Paint the bug and other small details.

  7. step 07

    Refine the edges and add highlights and shadows to create depth.

  8. step 08

    Add final details and touch-ups.

color palette

primary · red · green · white · brown

secondary · yellow · black · orange

Mix various shades of green by combining yellow and blue with brown. Achieve the red by mixing a deep crimson with a touch of orange. Use white sparingly to create highlights and subtle variations in tone.

techniques

  • ·dry brushing
  • ·layering
  • ·simplified figure drawing
  • ·color blocking
  • ·scumbling

common pitfalls

  • →Overworking the details in the background figures.
  • →Creating too much contrast in the figure, losing the subtle shading.
  • →Making the ground too uniform in color.
  • →Not capturing the stylized nature of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints (red, green, white, brown, yellow, black)
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·palette knife
  • ·retarder medium
  • ·easel

Using a textured canvas can enhance the dry brush effect. Consider using a limited palette to simplify color mixing.

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