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home·artworks·Jove
Jove by Joan Brull

plate no. 9578

Jove

Joan Brull, 1901

oilSymbolismportraitportraitfigureflowersgirlprofilehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing soft lighting and subtle skin tones, as well as blending techniques to create a dreamy, atmospheric effect.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a neutral color like burnt umber.

  2. step 02

    Lightly sketch the basic shapes of the figure, focusing on proportions and the angle of the head.

  3. step 03

    Block in the main areas of color: skin, hair, dress, background, and flowers, using thin washes of paint.

  4. step 04

    Begin building up layers of paint, focusing on the subtle transitions of light and shadow on the face and neck.

  5. step 05

    Carefully blend the edges of the forms to create a soft, diffused effect.

  6. step 06

    Add details to the flowers, using small brushstrokes to capture their shapes and colors.

  7. step 07

    Refine the background, adding depth and atmosphere with subtle variations in color and value.

  8. step 08

    Add final highlights and details to the face and hair to bring the portrait to life.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium yellow light

secondary · alizarin crimson · ultramarine blue · violet

Achieve the skin tones by mixing white, raw umber, and a touch of alizarin crimson. Use ultramarine blue and alizarin crimson to create the violet hues in the flowers and subtle shadows.

techniques

  • ·glazing
  • ·soft blending
  • ·scumbling
  • ·color layering
  • ·portrait sketching

common pitfalls

  • →Overworking the details and losing the soft, atmospheric effect.
  • →Using too much paint and creating a muddy appearance.
  • →Failing to capture the subtle transitions of light and shadow on the face.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A smooth canvas surface will be ideal for achieving the soft blending in this painting. Consider using a medium to improve the flow of the paint.

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