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home·artworks·Jove Amb Cabell Llarg
Jove Amb Cabell Llarg by Joan Brull

plate no. 4049

Jove Amb Cabell Llarg

Joan Brull, 1895

oilSymbolismportraitfigureportraithairfaceshoulderdark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and creating soft, blended transitions between light and shadow. It also offers practice in rendering hair and creating a sense of depth with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hair.

  2. step 02

    Establish the dark background using a mix of dark browns and blues.

  3. step 03

    Block in the main areas of light and shadow on the face, neck, and shoulders with a mid-tone.

  4. step 04

    Begin layering lighter tones to build up the highlights on the face, paying attention to the subtle shifts in color.

  5. step 05

    Add darker tones to define the shadows and contours of the face and body.

  6. step 06

    Paint the hair, using a mix of browns and blacks, and create soft, flowing lines.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · raw umber · ivory black

secondary · yellow ochre · burnt sienna

Achieve skin tones by mixing white with small amounts of raw umber, yellow ochre, and burnt sienna. Use ivory black to darken colors and create shadows. Mix dark browns and blues for the background.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle variations in skin tone.
  • →Not paying enough attention to the proportions of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paint.

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