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home·artworks·Jonah
Jonah by Albert Pinkham Ryder

plate no. 8693

Jonah

Albert Pinkham Ryder, 1895

oilSymbolismreligious paintingoceanwavesfigureangelcloudsreligious
experienced study

Recreating this painting will help students understand how to create dynamic movement with brushstrokes and how to build up layers of color to achieve depth and atmosphere. It also provides practice in depicting figures within a chaotic environment.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, the whale, and the angel.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or umber.

  3. step 03

    Begin layering in mid-tones, using a mix of browns, ochres, and creams to define the waves and clouds.

  4. step 04

    Use short, energetic brushstrokes to create the texture of the water and the movement of the waves.

  5. step 05

    Add highlights to the crests of the waves and the figure to create contrast and depth.

  6. step 06

    Paint the angel figure with light, ethereal colors, blending the edges to create a sense of glow.

  7. step 07

    Refine the details of the figure and the whale, paying attention to the direction of light and shadow.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall atmosphere.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ivory black

Achieve the various browns by mixing raw umber, burnt sienna, and ivory black in different proportions. Use titanium white to lighten these mixtures and create highlights.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·impasto
  • ·layering

common pitfalls

  • →Overworking the painting and losing the sense of spontaneity.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the direction of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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