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John Wesley by William Hamilton

plate no. 8308

John Wesley

William Hamilton, 1788

oilNeoclassicismportraitportraitfigurebookclerical collardark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding light and shadow to create depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure and book.

  2. step 02

    Block in the main areas of color: the background, the figure's clothing, skin tones, and the book.

  3. step 03

    Establish the darkest shadows and lightest highlights to create a sense of form.

  4. step 04

    Refine the skin tones, paying close attention to subtle color variations and blending.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  6. step 06

    Work on the book, rendering the pages and binding with careful attention to detail.

  7. step 07

    Refine the clothing, adding folds and wrinkles to create a sense of realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Mix various shades of brown and black by combining raw umber, ivory black, and small amounts of cadmium red. Skin tones can be achieved by mixing titanium white, yellow ochre, and cadmium red, with small amounts of raw umber for shadows.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle color variations.
  • →Failing to create a strong sense of light and shadow.
  • →Making the background too distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can help to establish a warm undertone.

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