apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·John C. Calhoun
John C. Calhoun by Rembrandt Peale

plate no. 6374

John C. Calhoun

Rembrandt Peale, 1834

oilNeoclassicismportraitportraitfiguremanclothinghistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, value shading for form, and subtle color mixing for skin tones. It also provides practice in rendering fabric and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Begin building up the skin tones, focusing on accurate value relationships.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the clothing, including the collar and coat.

  6. step 06

    Soften edges and blend transitions to create a smooth, realistic effect.

  7. step 07

    Add highlights and subtle color variations to bring the portrait to life.

  8. step 08

    Adjust values and details as needed to achieve a cohesive and convincing likeness.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red light

secondary · yellow ochre · ultramarine blue

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Darker tones are created by adding black and umber. Use ultramarine blue to cool down shadows.

techniques

  • ·value shading
  • ·blending
  • ·portraiture
  • ·color mixing
  • ·glazing

common pitfalls

  • →Incorrect proportions
  • →muddy skin tones
  • →overly harsh edges
  • →lack of depth

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for achieving subtle blends.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →paint like rembrandt →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs