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home·artworks·Joan of Arc before God
Joan of Arc before God by Luc-Olivier Merson

plate no. 6835

Joan of Arc before God

Luc-Olivier Merson, 1901

oilSymbolismreligious paintingfigurereligiousangelthronehalocrown
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in depicting complex compositions with multiple figures and symbolic elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and proportions.

  2. step 02

    Block in the main shapes and figures with diluted washes of color.

  3. step 03

    Develop the background, focusing on the subtle gradations of color and light.

  4. step 04

    Refine the figures, paying attention to anatomical accuracy and drapery folds.

  5. step 05

    Add details to the throne, halos, and other symbolic elements.

  6. step 06

    Work on the faces, capturing the expressions and individual features.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to enhance the overall effect.

color palette

primary · ivory black · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · cadmium red light

Achieve the muted tones by mixing complementary colors and using white to create subtle value shifts. Use thin glazes to build up color depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth and atmosphere
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, ultramarine blue, burnt sienna, yellow ochre, cadmium red light)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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