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home·artworks·Joan of Arc at the Coronation of Charles VII in the Cathedral of Reims
Joan of Arc at the Coronation of Charles VII in the Cathedral of Reims by Jean Auguste Dominique Ingres

plate no. 0541

Joan of Arc at the Coronation of Charles VII in the Cathedral of Reims

Jean Auguste Dominique Ingres, 1854

oil, canvasNeoclassicismhistory paintingfigurearmorflaginteriorreligioushistorical
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, particularly metal, and understanding complex figure composition within an interior space. It also requires careful attention to detail and precise brushwork.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and surrounding elements.

  2. step 02

    Block in the main shapes and areas of color, focusing on the large masses of the figure, background, and objects.

  3. step 03

    Start refining the figure's features, paying close attention to the light and shadow to create form.

  4. step 04

    Develop the details of the armor, using highlights and shadows to suggest the metallic surface.

  5. step 05

    Work on the background elements, including the flag, the figures in the background, and the architectural details.

  6. step 06

    Add the details of the clothing, including the patterns and textures.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber · gold

Achieve the metallic sheen of the armor by mixing white with small amounts of black and blue, layering highlights and shadows. The pink fabric is achieved by mixing red and white, with touches of yellow ochre for warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering metal
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the metallic sheen of the armor.
  • →Overworking the details and losing the overall sense of unity.
  • →Inaccurate rendering of the fabric patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will help with the detailed rendering.

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