apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Italian landscape with herdsmen couple
Italian landscape with herdsmen couple by Jacob van Strij

plate no. 2474

Italian landscape with herdsmen couple

Jacob van Strij

oilNeoclassicismlandscapelandscapetreesfiguresanimalspathhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage with subtle color variations. It also provides practice in depicting figures and animals within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the hills, trees, path, and figures.

  2. step 02

    Establish the sky with a thin wash of pale blue, blending it softly towards the horizon.

  3. step 03

    Block in the basic colors of the landscape, starting with the distant hills and working forward.

  4. step 04

    Add details to the trees, using a variety of greens, browns, and yellows to create texture and depth.

  5. step 05

    Paint the figures and animals, paying attention to their proportions and placement within the scene.

  6. step 06

    Develop the path with varying shades of brown and ochre, suggesting the play of light and shadow.

  7. step 07

    Refine the details of the foliage and foreground, adding small highlights and shadows to create depth.

  8. step 08

    Add final touches, such as birds in the sky or small details on the figures' clothing.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · sap green · titanium white · cadmium yellow light

Mix different values of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·color mixing
  • ·rendering foliage

common pitfalls

  • →Overworking the details in the background, losing the sense of depth.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Neglecting the importance of value contrast, resulting in a flat image.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Thin the paints with linseed oil for smoother blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs