apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Interior with soldier and maid
Interior with soldier and maid by Abraham van Strij

plate no. 2703

Interior with soldier and maid

Abraham van Strij

oilNeoclassicismgenre paintinginteriorfiguresdogtablewindowcityscape
experienced study

This painting provides practice in rendering realistic figures, complex interior spaces, and atmospheric perspective. Students can develop skills in color mixing for skin tones, fabric, and creating depth through value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and perspective.

  2. step 02

    Block in the main shapes and colors, focusing on accurate proportions and values.

  3. step 03

    Develop the background cityscape, paying attention to atmospheric perspective.

  4. step 04

    Refine the figures, adding details to the faces, clothing, and accessories.

  5. step 05

    Work on the interior details, such as the table, objects on the shelf, and the window.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the textures of the different materials, such as fabric, wood, and metal.

  8. step 08

    Add final details and adjust values to create a cohesive and realistic painting.

color palette

primary · red · yellow ochre · ultramarine blue · burnt umber

secondary · white · green · raw sienna

Mix various shades of red by combining red with burnt umber and white. Create greens by mixing yellow ochre and ultramarine blue. Achieve realistic skin tones by blending yellow ochre, red, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth in the background
  • →Inconsistent lighting
  • →Neglecting small details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs