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home·artworks·Interior from the Church Trefoldighetskirken
Interior from the Church Trefoldighetskirken by Harriet Backer

plate no. 2713

Interior from the Church Trefoldighetskirken

Harriet Backer, 1908

oil, canvasNaturalismgenre paintingchurch interiorfiguresarchitecturearcheswindowsreligious
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex architectural forms with loose brushwork. It also encourages the use of a limited palette to create a harmonious and unified composition.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective of the church interior.

  2. step 02

    Block in the main shapes and values using thinned paint, focusing on the overall light and shadow patterns.

  3. step 03

    Establish the darkest darks and lightest lights to create a sense of depth and atmosphere.

  4. step 04

    Develop the architectural details, such as the arches, columns, and windows, using loose brushstrokes.

  5. step 05

    Add the figures, paying attention to their placement and interaction within the scene.

  6. step 06

    Refine the details and textures, using dry brush techniques to create a sense of age and wear.

  7. step 07

    Adjust the colors and values as needed to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and details to enhance the overall sense of realism and atmosphere.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna

Achieve the muted tones by mixing raw umber and ivory black with varying amounts of titanium white. Use yellow ochre to add warmth to the highlights and burnt sienna for subtle reddish-brown accents.

techniques

  • ·atmospheric perspective
  • ·loose brushwork
  • ·dry brush texture
  • ·value blocking
  • ·limited palette

common pitfalls

  • →overworking details
  • →incorrect perspective
  • →muddy colors
  • →ignoring value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint

Use a medium-sized canvas to allow for sufficient detail without becoming overwhelming. Consider using a toned canvas to establish a base value.

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