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home·artworks·Innocence
Innocence by Anton Raphael Mengs

plate no. 8348

Innocence

Anton Raphael Mengs, 1754

oilNeoclassicismnude painting (nu)figurelambflowersdraperyportraitnude
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending, as well as rendering soft textures like fabric and fur.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval composition and the placement of the figure and lamb.

  2. step 02

    Block in the background with a thin wash of muted yellow-green.

  3. step 03

    Establish the basic skin tones of the figure, paying attention to light and shadow.

  4. step 04

    Rough in the drapery with light blue and white, focusing on the folds.

  5. step 05

    Begin defining the features of the face, using subtle color variations for highlights and shadows.

  6. step 06

    Paint the lamb, starting with the overall shape and then adding details like the eyes and wool texture.

  7. step 07

    Add the flower crown, using small brushes for detail.

  8. step 08

    Refine the details and blend the colors for a smooth, realistic finish.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · ultramarine blue · sap green · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use blue and white for the drapery, and mix greens from blue and yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fur

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Inaccurate proportions of the figure and lamb.
  • →Failing to capture the soft, delicate textures.
  • →Ignoring subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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