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home·artworks·In the Twilight
In the Twilight by Eugène Jansson

plate no. 3686

In the Twilight

Eugène Jansson, 1902

oilSymbolismcityscapestreettreesbuildingnightlightcityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and using a limited color palette to create a mood. Students will also practice layering and scumbling techniques to create texture and depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and the placement of the buildings and trees.

  2. step 02

    Establish the darkest values in the foreground and the darkest areas of the trees.

  3. step 03

    Begin layering in the mid-tones, using a mix of blues and greens to create the overall atmosphere.

  4. step 04

    Add lighter values to the buildings and the area of light at the end of the street.

  5. step 05

    Use short, broken brushstrokes to create texture in the trees and the street.

  6. step 06

    Blend some areas to create a sense of depth and atmosphere, while leaving other areas more textured.

  7. step 07

    Add the final details, such as the street lamp and any subtle highlights.

  8. step 08

    Glaze with thin layers to adjust values and color as needed.

color palette

primary · Prussian Blue · Viridian Green · Titanium White

secondary · Yellow Ochre · Ultramarine Blue

Mix Prussian Blue and Viridian Green for the dominant blue-green hues. Add Titanium White to lighten the colors and create atmospheric perspective. Use Yellow Ochre sparingly to create the warm glow of the light at the end of the street.

techniques

  • ·Scumbling
  • ·Layering
  • ·Atmospheric Perspective
  • ·Limited Palette
  • ·Broken Brushstrokes

common pitfalls

  • →Overblending, which can flatten the image
  • →Using too much detail in the background, which can reduce the sense of depth
  • →Failing to establish a strong value structure
  • →Getting the perspective wrong

materials

surface · Stretched canvas

required

  • ·Stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·Prussian Blue oil paint
  • ·Viridian Green oil paint
  • ·Titanium White oil paint
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Medium gloss

Use a canvas with a medium texture to help create the broken brushstroke effect. Consider using a toned canvas (e.g., a light gray or blue) to establish the overall color harmony.

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