apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In another window
In another window by Konstantin Vasilyev

plate no. 8199

In another window

Konstantin Vasilyev, 1973

oilSymbolismgenre paintingfigureswinterbuildingwindowiciclesportrait
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and facial features, and in creating depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 7 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and composition.

  2. step 02

    Block in the background elements, such as the wooden wall and window, using diluted paint.

  3. step 03

    Establish the basic skin tones for the figures, paying attention to the light and shadow.

  4. step 04

    Begin layering the clothing, focusing on the patterns and textures.

  5. step 05

    Refine the facial features, adding details to the eyes, nose, and mouth.

  6. step 06

    Add details to the background, such as the icicles and frost patterns on the window.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ivory black

Mix various shades of blue and brown to create the muted tones of the wood and clothing. Use white to lighten the skin tones and create highlights. Add small amounts of red and yellow to warm the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying enough attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull