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home·artworks·Illustration to Milton`s Paradise Regained
Illustration to Milton`s Paradise Regained by William Blake

plate no. 2754

Illustration to Milton`s Paradise Regained

William Blake, 1820

watercolorSymbolismillustrationfiguresangelsrobeslightreligioussky
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of ethereal light using watercolor washes. It also encourages an understanding of symbolic composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their poses, paying attention to proportions and gesture.

  2. step 02

    Outline the basic shapes of the background elements, including the wings and light source.

  3. step 03

    Begin with a light wash of diluted yellow ochre or raw sienna for the skin tones.

  4. step 04

    Add shadows to the figures and drapery using a mix of burnt umber and ultramarine blue.

  5. step 05

    Apply thin washes of blue and gray to the background to create a sense of depth and atmosphere.

  6. step 06

    Use a slightly darker mix to define the folds in the robes and the details of the faces.

  7. step 07

    Add highlights with diluted white or a very light yellow wash.

  8. step 08

    Refine the details and adjust the values to create a balanced and harmonious composition.

color palette

primary · yellow ochre · raw sienna · ultramarine blue

secondary · burnt umber · ivory black · white

Achieve skin tones by mixing yellow ochre with a touch of raw sienna and a hint of red. Shadows are created by adding burnt umber and ultramarine blue to the skin tone mix. Dilute colors significantly for transparent washes.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·glazing
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Not diluting the paints enough, resulting in opaque and heavy colors.
  • →Ignoring the importance of light and shadow in creating form.
  • →Getting the proportions of the figures wrong.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat)
  • ·Watercolor paper (140lb or heavier)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Masking tape

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Soft brushes are ideal for blending and creating smooth transitions.

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watercolor techniques →how to learn by studying the masters →
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