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home·artworks·Il sonno dell'infanzia e della vecchiaia
Il sonno dell'infanzia e della vecchiaia by Marie-Guillemine Benoist

plate no. 2242

Il sonno dell'infanzia e della vecchiaia

Marie-Guillemine Benoist

oilNeoclassicismportraitfigureportraitbabyold womanlandscapearchitecture
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing likeness, as well as understanding how to create a focal point through composition and value contrast. It also provides an opportunity to practice blending and creating soft transitions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and background.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the skin tones of the figures, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the clothing and accessories, such as the headscarf and shawl.

  5. step 05

    Work on the background elements, including the landscape and architectural details.

  6. step 06

    Refine the overall composition and adjust values as needed.

  7. step 07

    Add final details and highlights to create a sense of realism.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · sap green

Achieve skin tones by mixing white, yellow ochre, and a touch of red or brown. Use ultramarine blue and burnt sienna to create muted grays and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to establish a clear focal point.
  • →Ignoring the importance of accurate proportions.
  • →Not blending the colors smoothly enough.
  • →Getting the values wrong and flattening the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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