
plate no. 2500
John Duncan, 1907
Recreating this painting will help students develop skills in portraiture, including rendering skin tones and facial features, as well as practice painting complex floral arrangements with soft, blended edges.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement and proportions of the figures and the rose bush.
Establish the background with a muted, atmospheric wash.
Block in the main shapes and colors of the figures' clothing, using simplified forms.
Begin layering skin tones, gradually building up highlights and shadows with soft blending.
Paint the roses and foliage, paying attention to the variations in color and form.
Add details to the clothing, such as the decorative elements and folds.
Refine the facial features and expressions of the figures.
Add final highlights and shadows to create depth and dimension.
color palette
primary · titanium white · raw umber · cadmium red light · yellow ochre
secondary · viridian · ultramarine blue · alizarin crimson
Mix skin tones by blending white, yellow ochre, and a touch of red and umber; create muted greens by mixing yellow ochre, viridian, and a touch of umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results; consider using a medium to improve blending and glazing.
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