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home·artworks·Hugh Hall
Hugh Hall by John Singleton Copley

plate no. 3187

Hugh Hall

John Singleton Copley, 1758

pastel, paperNeoclassicismportraitportraitfiguremanwigclothinghistorical
some experience helpful

Recreating this portrait will help students develop skills in blending pastel colors to create realistic skin tones and rendering fine details like hair and fabric folds. It also provides practice in capturing likeness and conveying character through facial expression.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
5

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of features.

  2. step 02

    Establish the background color with a soft, even layer of pastel.

  3. step 03

    Block in the main areas of color for the face, hair, and clothing, using broad strokes.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in skin tone.

  5. step 05

    Add details to the eyes, nose, and mouth, paying attention to highlights and shadows.

  6. step 06

    Render the hair with individual strands, using a combination of light and dark pastels.

  7. step 07

    Define the clothing folds and details with careful shading and highlights.

  8. step 08

    Refine the overall composition and add any final touches.

color palette

primary · titanium white · raw umber · Prussian blue · rose madder

secondary · yellow ochre · ivory black

Mix white with small amounts of raw umber, rose madder, and yellow ochre to achieve realistic skin tones. Use Prussian blue and white for the coat, adding small amounts of black for shadows.

techniques

  • ·pastel blending
  • ·layering
  • ·hatching
  • ·scumbling
  • ·rendering fine details

common pitfalls

  • →over-blending, resulting in a muddy appearance
  • →using too much pressure, making the pastel difficult to blend
  • →neglecting the underlying sketch, leading to inaccuracies in proportion
  • →not paying attention to subtle color variations in the skin

materials

surface · pastel paper

required

  • ·pastel set
  • ·pastel paper
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·drawing board
  • ·soft cloth

optional

  • ·palette knife
  • ·workable fixative
  • ·colored pencils

Choose a pastel paper with a slightly textured surface to allow the pastel to adhere well. A variety of soft and hard pastels will be helpful for achieving different effects.

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