apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·House in the park
House in the park by Grigoriy Goldstein

plate no. 4126

House in the park

Grigoriy Goldstein

oil, canvasSymbolismlandscapehousetreeslandscapeskyfieldhill
suitable for beginners

This painting provides a good opportunity to practice color mixing to achieve subtle variations in greens and earth tones, as well as simplifying complex forms into basic shapes. Students can also learn about atmospheric perspective by observing how colors fade into the distance.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the house and trees.

  2. step 02

    Block in the sky with a light blue-gray wash, blending it softly.

  3. step 03

    Establish the basic shapes of the hill and field with broad strokes of green and brown.

  4. step 04

    Paint the house using a warm yellow-orange, adding details like windows and shadows.

  5. step 05

    Add the trees, using darker greens and browns to create depth and texture.

  6. step 06

    Refine the details in the foreground, adding small touches of color to represent grass and flowers.

  7. step 07

    Soften edges and blend colors to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and create visual interest.

color palette

primary · yellow ochre · sap green · titanium white · burnt umber

secondary · cerulean blue · cadmium red · raw sienna

Mix greens by blending sap green with yellow ochre and a touch of burnt umber for darker shades. Achieve the house color by mixing yellow ochre with cadmium red and a touch of white. Use cerulean blue and white to create the sky color.

techniques

  • ·color mixing
  • ·blending
  • ·atmospheric perspective
  • ·blocking in
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Using colors straight from the tube without mixing
  • →Ignoring the effects of atmospheric perspective
  • →Creating harsh lines instead of soft edges

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·assorted brushes (flat and round)
  • ·palette
  • ·linseed oil
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull