apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Horatio Greenough
Horatio Greenough by Rembrandt Peale

plate no. 5430

Horatio Greenough

Rembrandt Peale

oilNeoclassicismportraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create realistic skin tones. It also provides practice in rendering fabric and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background with a thin, even layer of dark brown paint.

  3. step 03

    Block in the main areas of light and shadow on the face, using a limited palette of skin tones.

  4. step 04

    Refine the facial features, paying close attention to the subtle curves and angles.

  5. step 05

    Paint the white collar, capturing its folds and highlights.

  6. step 06

    Block in the dark coat, using varying shades of black and brown to create depth.

  7. step 07

    Add details to the hair, using small brushstrokes to suggest texture.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · raw sienna

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use varying proportions to create highlights and shadows. Darken the blacks with burnt umber.

techniques

  • ·portrait sketching
  • ·value studies
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or unnatural skin tones.
  • →Lack of depth in the dark coat.
  • →Insufficient blending of values.
  • →Ignoring subtle color variations.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ivory black, burnt umber, titanium white, cadmium red light, yellow ochre)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany panel

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →paint like rembrandt →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs