apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Herdsmen in landscape
Herdsmen in landscape by Abraham van Strij

plate no. 6905

Herdsmen in landscape

Abraham van Strij

oilNeoclassicismgenre paintinglandscapefiguresanimalstreesmountainsclouds
some experience helpful

Recreating this painting will help students develop skills in creating depth through line weight and value, and in rendering complex textures like foliage and clouds with simple strokes. It also provides practice in composing a scene with multiple elements and figures.

technical profile

palette complexity
1
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of major elements like the figures, animals, and trees.

  2. step 02

    Establish the horizon line and the basic shapes of the mountains in the background.

  3. step 03

    Add details to the figures and animals, paying attention to their proportions and posture.

  4. step 04

    Develop the foreground with details of the path, rocks, and vegetation.

  5. step 05

    Use hatching and cross-hatching to create shadows and define forms.

  6. step 06

    Vary the line weight to create depth and emphasis, using thicker lines for closer objects and thinner lines for distant ones.

  7. step 07

    Add details to the trees, including branches and leaves, using a variety of line weights and textures.

  8. step 08

    Finally, add details to the sky and clouds, using light, feathery strokes to create a sense of atmosphere.

color palette

primary · black · white

secondary · gray

Varying the pressure and density of the pencil strokes will create different shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·line weight variation
  • ·atmospheric perspective
  • ·rendering texture

common pitfalls

  • →Overworking details in the background
  • →Making lines too uniform and lacking variation
  • →Not establishing a clear focal point
  • →Ignoring the principles of perspective

materials

surface · drawing paper

required

  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·drawing paper
  • ·pencil sharpener
  • ·ruler

optional

  • ·kneaded eraser
  • ·tortillon
  • ·drawing board

Use a smooth drawing paper for best results. Experiment with different grades of graphite pencils to achieve a range of values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs