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home·artworks·Henri Eugene Philippe Duc d'Aumale, Commander of the 17th Batallion of the Light Infantry
Henri Eugene Philippe Duc d'Aumale, Commander of the 17th Batallion of the Light Infantry by Franz Xaver Winterhalter

plate no. 9008

Henri Eugene Philippe Duc d'Aumale, Commander of the 17th Batallion of the Light Infantry

Franz Xaver Winterhalter

oil, canvasNeoclassicismportraitportraitfiguremilitary uniformclothingskylandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for skin tones and rendering textures in clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and torso.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figure's skin, hair, and clothing.

  3. step 03

    Develop the skin tones by layering and blending different shades of pink, brown, and yellow.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the subject's likeness.

  5. step 05

    Render the clothing, paying attention to the folds and creases in the fabric and the details of the military uniform.

  6. step 06

    Paint the metallic details of the uniform, using highlights and shadows to create a sense of depth and shine.

  7. step 07

    Refine the background, adding subtle variations in color and texture to create a sense of atmosphere.

  8. step 08

    Add final details and highlights to the entire painting, ensuring that all elements are cohesive and well-balanced.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix skin tones by blending white, red, yellow ochre, and a touch of raw umber. Achieve the dark uniform color by mixing ivory black and raw umber, adding ultramarine for depth.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Getting the proportions wrong
  • →Oversimplifying the skin tones
  • →Failing to capture the subject's likeness
  • →Creating muddy colors by over-mixing
  • →Ignoring the subtle variations in light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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oil painting for beginners →how to learn by studying the masters →
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