apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Helen's kiss
Helen's kiss by Gustav Adolf Mossa

plate no. 5318

Helen's kiss

Gustav Adolf Mossa, 1905

oilSymbolismmythological paintingfiguresmythologykissarmorfoliagehorse
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering complex textures, and creating a cohesive color scheme with subtle variations. It also encourages attention to detail and patience in layering colors.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the composition, paying attention to proportions and placement of figures and objects.

  2. step 02

    Block in the main areas of color, starting with the background and larger shapes.

  3. step 03

    Begin layering colors to create depth and dimension, focusing on the skin tones and drapery.

  4. step 04

    Add details to the figures, including facial features, hair, and clothing.

  5. step 05

    Work on the background elements, such as the soldiers, horse, and foliage.

  6. step 06

    Refine the details and textures, using small brushes and layering techniques.

  7. step 07

    Add highlights and shadows to create contrast and visual interest.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · cerulean blue · burnt sienna · yellow ochre

secondary · cadmium red · titanium white · viridian green

Achieve skin tones by mixing burnt sienna, yellow ochre, and titanium white. Create the blue background by mixing cerulean blue with a touch of white and a hint of green. Blend greens and yellows for the foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early
  • →Overworking the colors and creating a muddy effect
  • →Inaccurate proportions in the figure drawing
  • →Ignoring the overall composition and color balance

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·turpentine or water

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use high-quality paints for best results. Consider using a medium to slow down the drying time of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull