apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Hector Lemaire
Hector Lemaire by François Gérard

plate no. 8812

Hector Lemaire

François Gérard

oilNeoclassicismportraitportraitmale figurered draperyskycloudstorso
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as drapery rendering and soft background blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and drapery.

  2. step 02

    Establish the background with light blue and white, blending softly.

  3. step 03

    Block in the main skin tones using a mix of warm and cool colors.

  4. step 04

    Develop the shadows and highlights on the face and body, paying attention to the light source.

  5. step 05

    Paint the red drapery, focusing on the folds and highlights.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Add subtle details to the hair and background.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive composition.

color palette

primary · titanium white · burnt umber · cadmium red light · ultramarine blue

secondary · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, umber, red, and a touch of blue; use glazes of alizarin crimson for rosy cheeks. Mix blue and white for the sky and clouds, adding touches of umber for shadows.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figure.
  • →Muddy skin tones due to over-mixing.
  • →Overly harsh or flat lighting.
  • →Neglecting subtle color variations in the skin and drapery.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, burnt umber, cadmium red light, ultramarine blue, yellow ochre, alizarin crimson)
  • ·Palette
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs