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home·artworks·Head of St. Matthew
Head of St. Matthew by Jean Auguste Dominique Ingres

plate no. 6761

Head of St. Matthew

Jean Auguste Dominique Ingres, 1820

oilNeoclassicismreligious paintingfigureportraitreligiousbeardhairhalo
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of facial features. It also offers practice in creating subtle gradations of color and value to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber.

  3. step 03

    Block in the background with a dark, muted tone.

  4. step 04

    Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  5. step 05

    Paint the hair and beard, paying attention to the direction of the curls and individual strands.

  6. step 06

    Add the red drapery, focusing on the folds and highlights.

  7. step 07

    Refine the facial features, adding details to the eyes, nose, and mouth.

  8. step 08

    Add the halo with a light yellow or gold tone.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ivory black

Mix skin tones by blending white, sienna, and a touch of red. Use umber and black to create shadows. Muted red can be achieved by mixing cadmium red with a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Making the hair look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany panel

Use a fine-weave canvas for smoother blending. Consider using a toned ground to help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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