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home·artworks·Head of old woman from Antwerp
Head of old woman from Antwerp by Felicien Rops

plate no. 8157

Head of old woman from Antwerp

Felicien Rops, 1873

oil, canvasSymbolismportraitportraitold womanhatlacefigureclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures like lace and fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background with dark, muted tones, leaving space for the figure.

  3. step 03

    Block in the main colors of the face, hat, and clothing, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, adding details and subtle color variations to create a realistic likeness.

  5. step 05

    Work on the hat and lace, using small brushstrokes to capture the intricate textures.

  6. step 06

    Develop the clothing, paying attention to the folds and drapery.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · cerulean blue · yellow ochre

Achieve skin tones by mixing white, raw sienna, burnt umber, and a touch of alizarin crimson. Darken colors with ivory black and lighten with titanium white. Muted tones are achieved by mixing complementary colors.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·dry brush
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Making the lace look too flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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