plate no. 5952

Harriet Howard, Duchess of Sutherland

oilNeoclassicismportraitportraitfiguredressinteriorarchitecturecolumn

experienced study

This painting offers practice in rendering realistic skin tones and the complexities of fabric folds and highlights. Students will also learn about creating depth and atmosphere through subtle value shifts.

technical profile

palette complexity

brushwork visibility

value contrast

compositional simplicity

study guide

est. 25 hrs

approach — 8 steps

step 01
Create a light sketch outlining the main shapes and proportions of the figure and background.
step 02
Establish the basic color blocks for the background, including the wall, columns, and drapery.
step 03
Block in the main values of the figure's dress and shawl, paying attention to the light and shadow patterns.
step 04
Begin refining the skin tones, starting with the mid-tones and gradually adding highlights and shadows.
step 05
Add details to the face, including the eyes, nose, and mouth, focusing on capturing the likeness of the subject.
step 06
Develop the folds and textures of the dress and shawl, using layering and blending techniques.
step 07
Add the final details, such as the jewelry, flowers, and architectural elements.
step 08
Glaze and adjust values to create a cohesive and atmospheric effect.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue · alizarin crimson

Mix skin tones using white, red, yellow ochre, and a touch of blue or umber for shadows. Achieve the deep reds and purples of the drapery by mixing alizarin crimson, ultramarine blue, and burnt umber.

techniques