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home·artworks·Harlequin and Pierrot, double self-portrait
Harlequin and Pierrot, double self-portrait by Serge Sudeikin

plate no. 6403

Harlequin and Pierrot, double self-portrait

Serge Sudeikin, 1927

gouache, cardboardExpressionismself-portraitfiguresportraitstablecardsclothingfoliage
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering skin tones with limited color variations. It also provides practice in depicting fabric folds and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main areas of color, starting with the darkest values.

  3. step 03

    Refine the facial features, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the clothing, including the folds and textures.

  5. step 05

    Add the background foliage, using loose brushstrokes.

  6. step 06

    Adjust the values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add the details of the cards and other objects on the table.

  8. step 08

    Refine the edges and add any final touches.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · sap green · yellow ochre

Skin tones are achieved by mixing raw umber, cadmium red, and titanium white. Darker areas use ivory black mixed with raw umber. Greens are created by mixing sap green with yellow ochre and ivory black.

techniques

  • ·portrait painting
  • ·chiaroscuro
  • ·color mixing
  • ·layering
  • ·blocking in

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Neglecting the subtle variations in color and value.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · cardboard

required

  • ·Gouache paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Water container
  • ·Cardboard or heavy paper
  • ·Pencil
  • ·Eraser

optional

  • ·palette knife
  • ·ruler

Use good quality gouache paints for best results. A smooth cardboard surface is ideal for this painting.

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