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home·artworks·Hallstatt
Hallstatt by Ferdinand Georg Waldmüller

plate no. 8541

Hallstatt

Ferdinand Georg Waldmüller, 1839

oilBiedermeierlandscapelakemountainsbuildingstreesskywater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic reflections in water. It also provides practice in depicting complex architectural forms within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, buildings, and shoreline.

  2. step 02

    Block in the main color areas: sky, mountains, water, and buildings, using thin washes.

  3. step 03

    Develop the sky with subtle variations in blues, grays, and whites to create depth and cloud formations.

  4. step 04

    Build up the mountain range with layers of darker and lighter purples and browns, paying attention to the light and shadow.

  5. step 05

    Add details to the buildings, including windows, roofs, and architectural features, using a smaller brush.

  6. step 06

    Paint the reflections in the water, mirroring the colors and shapes of the buildings and mountains.

  7. step 07

    Add details to the foreground, including the shoreline, vegetation, and any objects present.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · viridian green · payne's gray

Achieve the mountain colors by mixing ultramarine blue, burnt umber, and a touch of cadmium red. Use titanium white to lighten and create atmospheric haze. The water is a mix of blues, greens, and browns, with white added for highlights.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·wet-on-dry blending
  • ·broken color

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Creating overly harsh or unnatural reflections in the water.
  • →Ignoring the subtle color variations in the sky and mountains.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, cadmium red, viridian green, payne's gray)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat, various sizes)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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