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home·artworks·Guido Da Montefeltre, Vom Teufel Erfaßt
Guido Da Montefeltre, Vom Teufel Erfaßt by Joseph Anton Koch

plate no. 6614

Guido Da Montefeltre, Vom Teufel Erfaßt

Joseph Anton Koch, 1803

oil, canvasNeoclassicismreligious paintingfiguresangelsdemonsarchitecturereligious sceneinterior
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating dramatic lighting effects. It also provides practice in composing a complex scene with multiple figures and elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using a limited palette of grays and browns.

  3. step 03

    Develop the figures, paying attention to anatomy and drapery folds.

  4. step 04

    Refine the details of the architecture and background elements.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Focus on rendering the faces and expressions of the figures.

  7. step 07

    Glaze thin layers of color to add warmth and richness to the painting.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · raw umber · titanium white

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining black and white. Add small amounts of raw umber or yellow ochre to create warmer tones. Payne's gray can be used to create cooler shadows.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting lost in the details before establishing the overall composition.
  • →Failing to create a strong value structure.
  • →Inaccurate figure drawing.
  • →Overworking the painting and losing the freshness of the initial layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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