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home·artworks·Grand Duke Michael Pavlovich of Russia
Grand Duke Michael Pavlovich of Russia by George Dawe

plate no. 3000

Grand Duke Michael Pavlovich of Russia

George Dawe, 1829

oilNeoclassicismportraitportraitfiguremilitary uniformhistorical figuremaleepaulettes
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric and metallic details. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on accurately capturing the likeness of the face, paying attention to the eyes, nose, and mouth.

  4. step 04

    Develop the background with soft, blended brushstrokes.

  5. step 05

    Build up the details of the uniform, including the epaulettes, buttons, and collar.

  6. step 06

    Refine the skin tones with subtle layers of color, paying attention to highlights and shadows.

  7. step 07

    Add final details and highlights to create a sense of realism.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · ivory black · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt sienna · gold

Achieve skin tones by mixing cadmium red light, yellow ochre, and ivory black with small amounts of ultramarine blue to cool the tone. Use raw umber and ivory black for the dark areas of the uniform. Mix gold with yellow ochre and burnt sienna for the epaulettes.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·blending

common pitfalls

  • →Inaccurate proportions of the face.
  • →Overworking the details too early in the process.
  • →Creating muddy skin tones by overmixing colors.
  • →Failing to capture the subtle value changes in the background.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: ivory black, raw umber, cadmium red light, yellow ochre, ultramarine blue, burnt sienna
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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